The Perfect Nothing Catalog (2014, rev. 2016)

flute, violin, cello, percussion and electronics. Commissioned by the JFund grant administered by the American Composers Forum, funded by the Jerome Foundation for Cadillac Moon Ensemble. Premiere 2014 December. Performed acoustically several times, including at Rice University in 2015 January. World premiere of version with electronics: 2017 November 16 at 1 Rivington. Recorded on Innova Recordings (992), released 2017 November 17.

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Habitual Roles (2014)

bassoon duo. Commissioned by the International Double Reed Society. Premiered by Adrian Morejon & Rebekah Heller, 2014 August 6. Performed again at the Aspen Music Festival in 2017.

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Ellipsis Rules (2014)

vibraphone & electronics. Premiered 2014 May 10, Frederick Loewe Theatre, and recorded by Sean Statser on The Perfect Nothing Catalog (Innova 992).

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The Old Motion Parade (2013)

large orchestra [2+picc.2+ca.2+bcl.2+cbsn;4331;timp+3perc.pno.hp.str.]. Commissioned by the New York Youth Symphony. Performed by the Minnesota Orchestra on the Future Classics subscription series in 2017. Premiered in Carnegie Hall, 2014 May 25.

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Abiding Shapes (2012)

flute, violin, cello, percussion. Commissioned by Cadillac Moon Ensemble. Premiered 2012 March 2, at Symphony Space. Recorded in 2016, released on The Perfect Nothing Catalog (Innova 992) in November 2017.

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Chariot (2010)

dance score for oboe, trumpet, tuba, and amplified harpsichord. Premiered at the Peter Jay Sharp Theatre, Lincoln Center, 2010 December 10 & 11.

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Getting There (2009 rev. ‘14)

percussion, violin, double bass. Premiered by YouCanJustParkRightHere at the Tank, NYC on 2009 October 29, again at Galapagos, and at the Juilliard School, new revision performed in Homer, Alaska as part of the Wild Shore Festival For New Music 2014.

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